Adobe Stock: Triune Store: What Ryan's Watching: —————————————————————– **GEAR WE USE** COLOR GRADING LUTs: SOUND FX: MUSIC: VFX ASSETS: CAMERAS: C300 mkII: A7s II: C100:
Details on the Film: The Manual Trailer: Wil Magness Website: The Film's Social Media: Facebook: Instagram: Twitter: —————————————————————– **GEAR WE USE** COLOR GRADING LUTs: SOUND
I collect these links because it’s always good to have references to films – and not just films that I am really familiar with –
120+ Free Video Overlays 352 Free Letterbox Templates (8K, 4K, HD and more) 15 Free Camera Shake presets: Hitfilm Express: Mitch Martinez 16 Free transitions
Ryan talks online filmmaking classes with MZed, licensed music and how to track a face for a trippy effect! —————————————————————– APM Music: —————————————————————– Filmmaking Classes
Whether it’s a drug trip or someone making the world shake with their brain, here are some awesome/crazy visual techniques to use for your projects!
Shooting on any mobile device like an iPhone, iPad, Pixel, Galaxy S, etc… has become a much more viable solution. Today we show some accessories
A few ways to get creative with your tripod for some cinematic results. In collaboration with Benro – Cinesummit promo – Register for Cinesummit here
You’ve heard it said before – “The best camera is the one you have with you”… While we don’t completely agree with that, there is
CGI or VFX have become a crutch for many filmmakers. They have chosen spectacle over substance. In this article, they discuss the ten reasons why
Michael Stark breaks down his sky replacement technique in After Effects.
Michael Stark breaks down the cracked glass effect from Car Chase.
Stark shows how he did the energy stream from our Ghostbusters episode. Follow Stark on twitter: Follow Film Riot on twitter:
In part 1 of this tutorial video we look at how to shoot the model, apply a color key inside Adobe After Effects and composite
Stark gives the basics of multi-channel compositing. Follow Stark on twitter: Follow Film Riot on twitter:
In this video tutorial we look at creating realistic jet scenes in Adobe After Effects using Videocopilot Element 3D and Jet Strike. In part 1
In part 1 of of our muzzle flash tutorial we look at creating flash and smoke inside Adobe After Effects using the fractal noise effect.
Sean Mullen of Rampant Design teaches how he did the wire removal for our High Fall Action Scene. Watch High Fall – Sean on twitter
Indie filmmaking: doing visual effects or SFX shots with miniatures. This video was done using a 1/48 scale model kit. It was shot on a
Create a realistic muzzle flash effect in Adobe After Effects. In this video we set the scene for the tutorial which will follow. All muzzle